If you swap two colours rapidly enough - say at 50 or 60 frames per second - you can fool the eye into seeing something that isn't there. On a machine with sixteen colours, just one or two extra can add a lot to a scene. Since today we all live in the future and you are reading a fully programmable document on a supercomputer, let's try it.
The sad part is that the trick doesn't work for most pairings due to the obvious strobing/flickering effect it generates. But now wily coders can add a whole host of new grays to their vivid Commodore palettes. ("The tartan for the clan McPuke" is definitely the best description of the C64 palette I've ever read. I doubt it'll be topped.)