To exhibit his photography at large scale, Chris Engman builds rooms with interiors wrapped with his stunning photos of forests, deserts, and other landscapes. They beckon the viewer inside where, of course, the perspectives warp and shift. From Colossal:
Engman explains that once one enters the work its believability as a singular landscape becomes penetrated. Each step deeper inside the work makes the photographed landscape appear increasingly warped and unreal.
“Even so,” says Engman, “compared to a singular framed photograph the experience of this installation for the viewer is much more physical and immersive. The structure is a room, not an image of a room. The photograph is an object, in addition to being an illusion. It has weight, and volume, and changes as you walk around it. Making this installation has been a thrilling process, and this new way of working seems to afford many new possibilities.”
(photos by Tony Walsh, courtesy of the artist, and Luis De Jesus Los Angeles)
